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ABSTRACT



                   The cultural landscape is fashioned from a natural landscape by a cultural group. Culture
                        is the agent; the natural area is the medium; the cultural landscape the result.”


                                                                                                          -     Geographer Carl Ortwin Sauer


                      Thesis Report V-SPARC VIT
                         “Culture”  refers to  the  way of life of  any given community including  its  shared
                  beliefs, traditions, behaviors, and material objects.  The term "Cultural Landscape" refers

                  to  the  combined  works  of   nature  and  humankind,  signifying  an  extensive  and complex
                  interaction  between  humans  and  the  environment.  It  includes  physical  components,

                  ecosystems, and manmade components that are shaped by human activity and have cultural,

                  historical, or economic importance.


                         The  present-day  Cultural  Landscape  of  Anegundi  is  a  manifestation  of    its  local
                  context  and  culture  shaped  over  time.  It  is  largely  influenced  by  the  economy  of  its

                  communities which is based on the concept of "Circular Economy", a system aiming at
                  potential use of the local cultivation waste and transforming it into sustainable artefacts by

                  decreasing external resource use and waste generation while fostering sustainable production

                  and consumption habits. It provides opportunity for the local community to innovate and add
                  value while also contributing to environmental sustainability, strengthening local economy,

                  and improving societal well-being.


                         Thus, this thesis is an attempt to promote the legacy of indigenous crafts of Anegundi,
                  strengthen the livelihoods of artisanal communities in both local and neighbouring villages,

                  raise heritage awareness among the local population, encourage the influx of tourists, provide

                  them with authentic knowledge and experiences- through vocational and workshop spaces,
                  and accommodations. In addition, given the rich past of Anegundi, it has the potential to

                  provide interpretive knowledge of its rich heritage- through visitor’s centre, archive/library
                  and exhibition spaces. As a result, the basis for this thesis is a sustainable hub for promotion

                  of crafts of Anegundi and its historic heritage, both contributing to the development of
                  sustainable tourism in the region.





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