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between old and new, for example, pairing a traditional facade with a modern
extension, a classical column with a minimalist beam, or rustic stone paired
with sleek glass. It may also entail achieving a harmonious balance between
old and new elements, such as matching the color, texture, or shape of
historical elements to modern elements, or using similar materials, patterns,
Thesis Report V-SPARC VIT
or motifs. Contrasting and complementing can highlight the distinctness and
beauty of both historical and modern elements, resulting in a dynamic and
balanced design.
A third strategy for incorporating historical elements is to interpret and
reinterpret them in novel ways. This can involve drawing inspiration from
historical elements such as style, form, function, or symbolism and adapting
them to new contexts, such as using Gothic arches for a bridge, Roman domes
for a museum, or Egyptian pyramids for an office building. It may also include
reinterpreting historical elements by modifying, abstracting, or exaggerating
them to create new expressions, such as curved walls for a castle, pixelated
windows for a cathedral, or twisted columns for a temple. Interpreting and
reinterpreting historical elements can showcase design creativity and
innovation.
The fourth way to incorporate historical elements is to integrate and interact
with them. This could include incorporating historical elements into the
overall design, such as using them as structural, functional, or aesthetic
elements, or embedding them in the walls, floors, or ceilings. It may also entail
creating interactive features with historical elements, such as using them in
displays, exhibits, or installations, or allowing users to touch, move, or
manipulate them. Integrating and interacting can enhance the design's
functionality and usability while introducing users to historical elements. To
make the list of aim and objectives that have to be achieved in the entire
design process.Literature survey that is basically gathering all the
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